Yazoo returned to number one for one week on 2nd October 1982
Depeche Mode returned to the top for one week on 9th October 1982
In the absence of any other major competition in the independent chart at this point, Mute's two prime artists simply swapped their positions in the opening week of October, before swapping back again the week after. As tempting as it might be to froth enthusiastically about each single all over again, it probably makes more sense to take a look at what was entering the charts lower down.
New Entries in Week One
22. Attak - Murder In The Subway (No Future)
There are two ways to capture the fear of malevolent crime on the underground - one is to create a story arc around it, as The Jam did on "Down In The Tube Station At Midnight". The other is to gruffly and savagely terrify the listener with a dense, bass heavy punk racket.
"MURRRDER..... on the subway!" they roughly growl over an almost jolly rhythmic march, and to give Attak credit here, this is Second Wave Punk with a very slight dash of post-punk about it. The guitars may twist and snarl, but that rhythm section has obviously been listening to a few Factory Records releases in its time, probably behind the guitarist's back. No wonder everyone sounds so pissed off.
25. Various - Back On The Streets (EP) (Secret)
Yet another Gary Bushell approved Oi release, this one offering penny-pinched punks five bands for the price of one - Venom, East End Badoes, The Strike, Skin Disease and Angela Rippon's Bum all take up space here, and if you've been following this blog for a few months now, you'll know what to expect.
Of the above, the inventively named Angela Rippon's Bum actually bothered to shoot a video of sorts, and far from being the Splodgenessabounds indebted piece of larkery I expected, it's pretty straight-ahead Oi thrash delivered by a bunch of disaffected herberts. The group wouldn't release another record until 2000, when the presumably long awaited "Nice Arse Shame About The Face" was launched into the world.
27. The Enemy - "Punk's Alive" (Fallout)
Another 45 protesting that punk still existed, only adding to the sense that the movement was not waving, but drowning. There's little to distinguish The Enemy from their many Oi and Second Wave Punk peers here, with only the weird breakdown halfway through the track showing any sign of inventiveness. If I'd first heard this single during the beginning of my expedition with this blog I might have been more charitable, but getting through some of these groups is really starting to feel like a slog now. However much journalists at the various IPC music magazines were being paid to cover this stuff, it wasn't nearly enough.
30. Wasted Youth - Reach Out (Bridgehouse)
East London post-punks Wasted Youth, on the other hand, took their societal frustrations in a different direction; most of their fellow travellers tended to back away from direct commentary, but "Reach Out" is a sympathetic nod to skint youths everywhere, begging "It's not that easy and it's getting harder/ Reach out and touch somebody today".
It's minimal and frosty, but as the singer Ken Scott states knowingly as the song fades, looking over his shoulder, it's an "ordinary song about ordinary people", and it challenged people to stick by their communities rather than gnashing and wailing or filling the lyrics up with ambiguous poetry - a novel approach at that time.
Sadly, Wasted Youth would split up before the end of 1982.
Week Two
14. Special Duties - Bullshit Crass (Rondolet)
In which the conflict between Crass and other more heads-down-and-shout second wave punk bands spills over into the indie chart. "Fight Crass not punk!" the group urge their listeners. "Crass were first to say punk is dead/ now they're rightly labelled as being red/ Commune Hippies, that's what they are/ they've got no money, ha ha ha".