Showing posts with label The Clash. Show all posts
Showing posts with label The Clash. Show all posts

Wednesday, January 22, 2025

26c. Robert Wyatt - Shipbuilding (Rough Trade)


Two weeks at number one from w/e 28th May 1983

There's a rule in pop which feels as if it's been in place forever - if a highly critically acclaimed single or radio playlist monster is issued on an indie label and flops, the artist will release it again on a major label to give it a stronger chance. This applies to a single we've only recently covered (Aztec Camera's "Oblivious") which will finally grace the National Top 40 when it's reissued on WEA in the Autumn.

In the case of Robert Wyatt's "Shipbuilding", though, Rough Trade just had another crack themselves, issuing the single in a series of new sleeves and grinding the promotional gears a second time. As a result, the record entered the National Top 40, peaking at number 35 - the first time the man had breached the threshold since his cover of "I'm A Believer" reached number 29 in 1974. It also hit the number one spot on the NME Indie Chart for the third time, becoming the first record to do so on more than two occasions. 

While this was marvellous news for Robert Wyatt, Elvis Costello, and anybody who appreciated the song, there's really little to be gained from us entering into a fresh discussion about it. Anyone who is interested should refer back to the previous entry, while we sniff around the nether regions of the charts down below.


Week One

13. Monochrome Set - Jet Set Junta (Cherry Red)

Peak position: 10

Arguably the Set's best known song thanks to its appearance on seemingly every early eighties Indie compilation in the world, "Jet Set Junta" is arguably also the group's best attempt at moulding their sound into something purposeful rather than gimmicky. Those Hank Marvin inspired guitar lines and Joe Meek-esque echos and futuristic atmospheres meet jolly, polite indie-pop which nags away at you without becoming irritating. 

I'm slightly surprised it only reached number 10 on the indie list, but Cherry Red's constant hyping of this one has obviously distorted my view of its actual popularity at the time.


14. Aztec Camera - Walk Out To Winter (Rough Trade)

Peak position: 4

Produced by Tony Mansfield of New Musik fame, "Walk Out To Winter" is a subtler single than "Oblivious", featuring Roddy Frame at his most reflective, pondering love affairs which can only be measured in seasons, not years. "Despite what they'll say, it wasn't youth, we hit the truth" he tells us, sounding like a profound version of Donny Osmond. Oh to have been an eloquent teen.

This record also saw Rough Trade get very professional and corporate on us all, issuing it as a standard seven inch single as well as a four-track double-pack, all with the aim of pushing Aztec Camera over the line into the National Top 40. The single was too reflective and delicate to cope with such force behind it and predictably buckled, only reaching number 64. 

It would also be Aztec Camera's last record for Rough Trade before jumping to WEA.