Returned to number one for six more weeks on w/e 3rd December 1983
The Assembly's "Never Never" may have been a huge chart hit, but The Smiths finished 1983 as an ever-growing and unstoppable cult, and in the world of the indie charts, the ferocity of the cult is everything. The underground kids are the ones marching towards Rough Trade en masse to buy the most important new record, after all, not the biggest pop hit.
That "This Charming Man" managed only week at the top in November felt implausibly stingy at the time, so it's no surprise to see them back on top and managing to hold that position until well into 1984. It's a result that disrupts the natural flow and timeline of this blog somewhat - it would have been much better to see out 1983 and begin 1984 with a brand new track - but sometimes an excess of liquid causes the jug to overflow, and all we can do is mop up the mess around the table as best we can.
Here is what happened in the rest of the indie charts while The Smiths were back at number one.
Week One
12. Birthday Party - "Mutiny! EP" (Mute)
Peak position: 3
The final release following Birthday Party's split in mid-1983, the "Mutiny!" EP shows Nick Cave clearly moving towards the Bad Seeds style. While nobody would dare to suggest that the title track "Jennifer's Veil" was anything approaching pop music, the chaotic fury of their earliest releases has now totally been replaced by something much more controlled but no less sinister. Cave is the clear leader here while the rest of the group twang and strum behind.
20. The Higsons: "Push Out The Boat" (Waap)
Peak position: 14
Charlie Higson and his boys were deeply unlucky not to score a genuine hit in the early eighties - if Pigbag managed to cross over with their angular dancefloor friendly post-punk, there's absolutely no reason why The Higsons frequently more commercial singles couldn't have become a bigger deal as well.
"Push Out The Boat" probably emerged far too late in the day, just as the tide was going out for this kind of affair, but it's an absolute triumph, combining taut dancefloor grooves with a sense of urgency and purpose so many of their compatriots were too cool to get close to. If it weren't for the fact that Higson eventually became best known as a comedy writer and performer, chances are he would have enjoyed a stronger reappraisal at the turn of the 21st Century, but by that point he didn't seem obscure enough or "serious" enough for the Hoxton Hipsters.
21. Red Lorry Yellow Lorry - He's Read (Red Rhino)
Peak position: 21
27. !Action Pact! - Question of Choice (Fall Out)
Peak position: 19
Week Two
15. New Model Army - Great Expectations (Abstract)
Peak position: 15
New Model Army would rapidly go on to become a huge cult rock band, simultaneously blessed and cursed with a fanbase who were almost as fanatical as The Smiths' tribe, but often more confrontational. Stories abounded of interested punters casually turning up to their gigs and being beaten up for not looking the part.
Unlike The Exploited, it's hard to imagine New Model Army encouraging this behaviour. While their political ideologies were often strict and puritanical, the group themselves were keen for the ideas to reach as large an audience as possible. Their second single "Great Expectations" is a sneering attack both on the way naive capitalist ideas worm their way into both the education system and parenting. "They said 'Son, it could all be yours, you just work hard and pay your dues/ Don't be content with what you've got, there's always more that you can want/ Everybody's on the make - that's what made this country great" - these are words which could just as easily have been written yesterday as in the Thatcherite sunlit uplands of 1983.
Unlike a lot of the political rants that bind up the indie charts, NMA put across their ideas with both a degree of intelligence and relish. "Great Expectations" is a tight morality tale accompanied with a sneering thrash, and a chorus which Paul Weller (who they probably hated) wouldn't have been ashamed of.
